"The Writing Revolution"
Peg Tyre, Atlantic Magazine, October 2012

"For years, nothing seemed capable of turning around New Dorp High School’s dismal performance—not firing bad teachers, not flashy education technology, not after-school programs. So, faced with closure, the school’s principal went all-in on a very specific curriculum reform, placing an overwhelming focus on teaching the basics of analytic writing, every day, in virtually every class. What followed was an extraordinary blossoming of student potential, across nearly every subject—one that has made New Dorp a model for educational reform."
"...
"...  And so the school’s principal, Deirdre DeAngelis, began a detailed investigation into why, ultimately, New Dorp’s students were failing.
"...
"According to the Nation’s Report Card, in 2007, the latest year for which this data is available, only 1 percent of all 12th-graders nationwide could write a sophisticated, well-­organized essay. Other research has shown that 70 to 75 percent of students in grades four through 12 write poorly. Over the past 30 years, as knowledge-based work has come to dominate the economy, American high schools have raised achievement rates in mathematics by providing more­-extensive and higher-level instruction. But high schools are still graduating large numbers of students whose writing skills better equip them to work on farms or in factories than in offices; for decades, achievement rates in writing have remained low.
"Although New Dorp teachers had observed students failing for years, they never connected that failure to specific flaws in their own teaching. ...
"... Some teachers wanted to know how this could happen. “We spent a lot of time wondering how our students had been taught,” said English teacher Stevie D’Arbanville. “How could they get passed along and end up in high school without understanding how to use the word although?”
"...
"Back on Staten Island, more New Dorp teachers were growing uncomfortably aware of their students’ profound deficiencies—and their own. “At teachers college, you read a lot of theory, like Paulo Freire’s Pedagogy of the Oppressed, but don’t learn how to teach writing,” said Fran Simmons. ...
"... Teachers stopped giving fluffy assignments such as “Write a postcard to a friend describing life in the trenches of World War I” and instead demanded that students fashion an expository essay describing three major causes of the conflict."

"Young, Gifted and Neglected"
Chester E. Finn Jr., New York Times, September 18, 2012

"It’s time to end the bias against gifted and talented education and quit assuming that every school must be all things to all students, a simplistic formula that ends up neglecting all sorts of girls and boys, many of them poor and minority, who would benefit more from specialized public schools. America should have a thousand or more high schools for able students, not 165, and elementary and middle schools that spot and prepare their future pupils."

"The Final Bell Rings for Weekly Reader, a Classroom Staple"
Noam Cohen, New York Times, July 24, 2012

"While it is tempting to see the close of Weekly Reader as another example of a shrinking print audience, Mr. Goff said that would be misleading. Rather, he pointed to the focus on teaching to the test that has made anything other than math and reading extraneous. “There has been a general loss of teaching kids about current events,” he said. “That is something that has been squeezed out of the classroom.” "

Fantasy, fairy tales, happy endings:
Teachers find success in NEH program led by Harvard scholar
Edward Mason, Harvard Gazette, July 23, 2012

"Nicole Guillen, a high school teacher at the Alliance Marc and Eva Stern Math and Science School in Los Angeles, said the fantasy of Lewis Carroll or “Peter Pan” read by older generations may not be as relevant to today’s students as the violence depicted in modern literature.

"“They’re growing up where gangs are part of everyday life,” Guillen said. “In some communities, what kids see is very real and it’s a horrifying type of reality, and that’s why they like seeing it in a book: I don’t have a Wonderland or a Neverland, but I do have this reality.”

"Elizabeth Gray, who teaches at an alternative East Brooklyn, N.Y., high school, countered that escapism is an important part of fantasy literature.

"“I teach a lot of gangs; I’m not sure they always want to read about gangs,” she said. “They might prefer to read about Neverland. I wonder if [“Hunger Games”] is too close to home?”

"Lauren Bielefeld, a ninth-grade reading teacher from Fountain Valley High School in Orange County, Calif., said fantasy literature tests moral compasses.

"“Kids like to imagine what kind of kid they would become,” Bielefeld said. “I can hear my kids do that with ‘Lord of the Flies’ and with ‘Hunger Games.’”"

"A Conversation With 2 Developers of Personalized-Learning Software"
Marc Parry, The Chronicle of Higher Education, July 18, 2012

"Here's why education is different from search or social media. For one thing, the average student studies for more time than they spend on Google or Facebook. People spend way more time in Knewton than they spend on Google—they spend hours a day as opposed to minutes per day. So that's one big reason why we produce a few orders of magnitude more data per user than Google, just based on usage.

"But then there's the more important reason even than that, which is that education is not like Web pages or social media. It's a different product. And it lends itself infinitely more to data-mining than does any other industry right now. The reason is that nobody has tagged all the world's Web pages for Google down to the sentence level, the way that we ask publishers to tag every sentence, every answer choice of every question. They say, Here's what this sentence is about, or this video clip. They're basically telling us every single thing about every single piece of their content. That's how we can slice and dice it so finely."

"What Will You and Your Children Read This Summer?"

KJ Dell'Antonia, New York Times, June 6, 2012

 

"What’s your summer reading plan, and what’s the plan for your children? Two of my four have summer reading time charts from school. Will this be another year when I determine that every evening at X time will be “quiet reading time,” only to have it endlessly thwarted by things like impromptu s’mores and meteor showers? (And how can that really be bad?) I want them to read. They (mostly) want to read. But oh, we have a terrible time with those charts. 

"... Does 20 minutes a day of easily tracked reading fit into every family’s day except ours? They do read, but how many 6-year-olds pay attention to where and for how long? Me, I’ve never exactly understood why they (or, more relevantly, I) should. I prefer the rising third grader’s option: a space to list all the books she reads, along with “one thing you liked” and “one thing you didn’t.” "

"The Benefits of Making It Harder to Learn"
James M. Lang, The Chronicle of Higher Education, June 3, 2012
 
"As the researchers pointed out in their article in the journal Cognition, both students and teachers may sometimes judge the success of a learning experience by the ease with which the learner processes or "encodes" the new information. But learning material easily, or fluently, may sometimes produce shallower levels of learning.

"By contrast, "making material harder to learn," the authors wrote, "can improve long-term learning and retention. More cognitive engagement leads to deeper processing, which facilitates encoding and subsequently better retrieval." In other words, when students encounter cognitive disfluency, and have to put in more work in processing the material, it may sink in more deeply."

"Using Graphic Novels and Comics in the Classroom"
Andrew Miller, Edutopia, January 11, 2012

"Here are some specific strategies to ponder as you select a graphic novel or comic to read, or as you consider how students might create their own. Thinking about them will help you focus your purpose in your instruction. All of them are useful, as long as the purpose is clear to the teacher and the learner.
...
"1) A Tool to Differentiate Instruction
"Graphic novels and comics can be a great way to differentiate instruction for learners in terms of reading and also in terms of assessment. 
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"3) Assess Student Learning
"PBL calls for the creation of authentic products that are useful and credible to the group. You can have students create comics or graphic novels, or components of them, as a useful formative assessment tool to check for understanding of important content. If used as a summative assessment, the comic could be made to combat bullying, such as the suggestion Suzie Boss made in an earlier post. Make the graphic novel or comic a product that students create to meet a need. Don't just make it a regurgitation of knowledge. Instead, give it an authentic purpose.
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"There are many other purposes for graphic novels in the classroom, from looking at different cultures and backgrounds to utilizing technology in authentic ways. Just make sure you select the graphic novel or comic with a clear purpose in mind. Perhaps you have multiple purposes, as there are many instructionally sound purposes out there."

"I will leave you with some favorite graphic novels and comics that I've used in my classroom! Trust me, I have read plenty more than this list!

• "Persepolis, a memoir of a girl growing up during the Islamic revolution in Iran, was recently made into a motion picture.
• "Maus, a top favorite for many, explores themes of the Holocaust through a memoir characterized by mice and cats.
• "American Born Chinese is the tale of three characters: Jin Wang, the only Chinese-American in the neighborhood; Chin-Kee, the ultimate Chinese stereotype; and the Monkey King, ancient fable character."